Interview with Ilgar Eyyubov
Zhelyazko Tatiana Vasilyevna
She is a graduate of the Belarusian State Museum of Fine Arts, a scholarship holder of the Vitebsk Regional Committee of Belarusian Culture, a member of the NGO “Belarusian Union of Artists Support”, laureates of international competitions. Events, cultural events, concerts, music festivals and conferences. Preparation for the preparation of the method. piano “Creative piano”. Check out the comments below.
Today, our guest is an inspiring and talented teacher, Tatiana Zhelyazko, a pianist from Minsk, twice winner of Musical concerts under the auspices of Caspi Art LTD. This way you can learn more about it. Concerts and phrases. Tatiana Zelsko inspires her work to great achievements. This is an option and a unique option. and concert performances are not only competitions, they are not a turning point in becoming a musician.
A competition for young pianists is possible, about preparing for the stage and about what qualities make an outstanding musician-teacher.
– Tatiana, tell us, how did your path in music pedagogy begin? Is this a waste of time?
– Received at a music college, university, academy. This is not a detailed explanation. Therefore, no permission is required. the success of his existence, even the smallest. This procedure is impossible: to observe the development, control, guide – this leads to a huge opinion.
– Your teaching career. In this case, is it possible to change the outstanding situation?
– In addition to the basic knowledge that I pass on to the students, diligently. It’s not a routine. In addition to this, for example, hand-training exercises for beginner pianists (“Creative Piano”) are used, also known as unique “chips” that help in high-quality learning. This is how the concert and the competition are held. practice, maximum promotion on stage.
– Does music sound during competitions and contests?
– The stage is one of the ultimate goals in learning the piano. When a child doesn’t just learn and memorize musical notation in class, but turns on music with it, his active participation in listening moves on. At the same time, there are competitions, there are no competitions. a master of working in stressful situations. In addition, participating in public speaking, even online, gives the student just a job in the classroom.
– What kind of cassettes in the music world?
– In addition to talent, determination, patience, and analytical skills are important. A technician is a master, natural musicality and an emotional intellectual are equally necessary. In childhood, these qualities are already permanent, and, fortunately, I notice them in my students.
– How are your funds being prepared for the concerts and the concert?
– We start by choosing the repertoire, and here I always observe no. There is no such thing as a precondition. In addition to details, technical difficulties, articulation, phrasing. In the next version: the ability to cope with excitement, maintaining stability. In this case, there is no other way out. We analyze and analyze other students and teachers.
– What advice would you give parents for their children to participate in contests?
– The main thing is to support the child, but not to increase the pressure. It is important to understand that the kennel is a part of the educational process, not an end in itself. Muzzyka dolna brings joy, not unhappiness. For the first time, there is no need to continue. by the way.
– Many young teachers face difficulties at the beginning of their career. What mistakes should they be afraid of?
– One of the most dangerous mistakes is to try to fit all the components to one technique. Each child is different, and it is important to find your own approach to it. And, of course, underestimating the psychological aspect: student support is always more important than just demanding results.